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(8792) 100.0%,
Location: Rochester, New York
Ships to: US,
Item: 305486579304
Restocking Fee:No
Return shipping will be paid by:Seller
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Type of Advertising:Sign
Modified Item:No
Country/Region of Manufacture:United States
Original/Reproduction:Original
Date of Creation:1880
Color:Multi-color
Time Period Manufactured:Pre-1930
RARE Original Advertising Sign Portrait Artist — Francis Scott Ambidextrous Info on back ca 1880 FOR OFFER — a nice old advertising sign. All original, vintage, old, antique — guaranteed — NOT a reproduction! Very rare — I could not find this image anywhere else. Faded handwriting on back, transcribed by family member onto paper: «Shirley, this is your Great Grandfather Scott. He was an artist and sign painter. Grandma Gabby’s father. His name was Francis. Sign on heavy stock, showing artist doing portraits with each hand, one a Native American Indian, and a girl. Highly detailed stone lithograph printing. Measures 9 1/8 x 7 1/8 inches. In good to very good condition. Light browning to upper rh corner area, with light crease to rh corner; light crease to upper left edge, and crease to lower rh corner area. Looks to have been slightly trimmed at one time. Please see photos. More research needed on this piece. Perhaps some genealogy importance for someone. If you collect American history, Americana art, 19th century sign printing, broadside poster related, folk art, etc. this is a nice piece for your advertisement ad ephemera collection. Combine shipping on multiple purchases. 2599 Portrait painting is a genre in painting, where the intent is to represent a specific human subject. The term ‘portrait painting’ can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, or they may be inspired by admiration or affection for the subject. Portraits often serve as important state and family records, as well as remembrances. Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals. In addition to painting, portraits can also be made in other media such as prints (including etching and lithography), photography, video and digital media. Frans Hals, later finished by Pieter Codde. De Magere Compagnie. 1637. Oil on canvas, 209 × 429 cm. Group portraits were important in Dutch Golden Age paintingIt might seem obvious that a painted portrait is intended to achieve a likeness of the sitter that is recognisable to those who have seen them, and ideally is a very good record of their appearance. In fact this concept has been slow to grow, and it took centuries for artists in different traditions to acquire the distinct skills for painting a good likeness. Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported. But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that was original and matched the huge scale of U.S. landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural U.S. was the American craft movement, which began as a reaction to the industrial revolution. After 1850 Academic art in the European style flourished, and as richer Americans became very wealthy, the flow of European art, new and old, to the US began; this has continued ever since. Museums began to be opened to display much of this. Developments in modern art in Europe came to the U.S. from exhibitions in New York City such as the Armory Show in 1913. After World War II, New York replaced Paris as the center of the art world. Since then many U.S. movements have shaped Modern and Postmodern art. Art in the United States today covers a huge range of styles. Nineteenth centuryMain articles: Hudson River School, Luminism (American art style), American Impressionism, Tonalism, American Barbizon school, White Mountain art, and Frederic Remington Albert Bierstadt, The Rocky Mountains, Lander’s Peak, 1863, Metropolitan Museum of Art: an example of the Hudson River School Mary Cassatt, The Child’s Bath 1891–1892, Art Institute of ChicagoFile:Gallery15Urlan.ogvNational Gallery of Art, Washington DC. James McNeill Whistler, Arrangement in Grey and Black: The Artist’s Mother, 1871, popularly known as Whistler’s Mother, Musée d’Orsay, ParisThe first well-known U.S. school of painting—the Hudson River School—appeared in 1820. Thomas Cole pioneered the movement which included Albert Bierstadt, Frederic Edwin Church, Thomas Doughty and several others. As with music and literature, this development was delayed until artists perceived that the New World offered subjects unique to itself; in this case the westward expansion of settlement brought the transcendent beauty of frontier landscapes to painters’ attention. The Hudson River painters’ directness and simplicity of vision influenced and inspired such later artists as John Kensett and the Luminists; as well as George Inness and the tonalists (which included Albert Pinkham Ryder and Ralph Blakelock among others), and Winslow Homer (1836–1910), who depicted the rural U.S.—the sea, the mountains, and the people who lived near them. The Hudson River School landscape painter Robert S. Duncanson was one of the first important African American painters. John James Audubon, an ornithologist whose paintings documented birds, was one of the most important naturalist artists in the early U.S. His major work, a set of colored prints entitled The Birds of America (1827–1839), is considered one of the finest ornithological works ever completed. Edward Hicks was a U.S. folk painter and distinguished minister of the Society of Friends. He became a Quaker icon because of his paintings. Paintings of the Great West, many of which emphasized the sheer size of the land and the cultures of the native people living on it, became a distinct genre as well. George Catlin depicted the West and its people as honestly as possible. George Caleb Bingham, and later Frederic Remington, Charles M. Russell, the photographer Edward S. Curtis, and others recorded the U.S. Western heritage and the Old American West through their art. History painting was a less popular genre in U.S. art during the 19th century, although Washington Crossing the Delaware, painted by the German-born Emanuel Leutze, is among the best-known U.S. paintings. The historical and military paintings of William B. T. Trego were widely published after his death (according to Edwin A. Peeples, «There is probably not an American History book which doesn’t have (a) Trego picture in it»).[10] Portrait painters in the U.S. in the 19th century included untrained limners such as Ammi Phillips, and painters schooled in the European tradition, such as Thomas Sully and G.P.A. Healy. Middle-class city life found its painter in Thomas Eakins (1844–1916), an uncompromising realist whose unflinching honesty undercut the genteel preference for romantic sentimentalism. As a result, he was not notably successful in his lifetime, although he has since been recognized as one of the most significant U.S. artists.[11] One of his students was Henry Ossawa Tanner, the first African-American painter to achieve international acclaim. A trompe-l’œil style of still-life painting, originating mainly in Philadelphia, included Raphaelle Peale (one of several artists of the Peale family), William Michael Harnett, and John F. Peto. The most successful U.S. sculptor of his era, Hiram Powers, left the U.S. in his early thirties to spend the rest of his life in Europe, where he adopted a conventional style for his idealized female nudes such as Eve Tempted.[12] Several important painters who are considered American spent much of their lives in Europe, notably Mary Cassatt, James McNeill Whistler, and John Singer Sargent, all of whom were influenced by French Impressionism. Theodore Robinson visited France in 1887, befriended Monet, and became one of the first U.S. painters to adopt the new technique. In the last decades of the century American Impressionism, as practiced by artists such as Childe Hassam and Frank W. Benson, became a popular style. Sign painting is the craft of painting lettered signs on buildings, billboards or signboards, for promoting, announcing, or identifying products, services and events. Sign painting artisans are signwriters. HistorySignwriters often learned the craft through apprenticeship or trade school, although many early sign painters were self-taught.[1][2] The Sign Graphics program at the Los Angeles Trade Technical College program is the last remaining sign painting program in the United States.[3] Skillful manipulation of a lettering brush can take years to develop.[4][5][6] In the 1980s, with the advent of computer printing on vinyl, traditional hand-lettering faced stiff competition.[7][6] Interest in the craft waned during the 1980s and 90s, but hand-lettering and traditional sign painting have experienced a resurgence in popularity in recent years.[8][9] The 2012 book and documentary, Sign Painters[4] by Faythe Levine and Sam Macon, chronicle the historical changes and current state of the sign painting industry through personal interviews with contemporary sign painters. Old painted signs which fade but remain visible are known as ghost signs.[10] TechniquesThere are a number of other associated skills and techniques as well, including gold leafing (surface and glass), carving (in various mediums), glue-glass chipping, stencilling, and silk-screening.[citation needed]
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